Course: British Novel
Block 7 Unit 5 CRITICAL PERSPECTIVES A BRIEF SELECTIVE OVERVIEW
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- Block 1 Unit 1 SOME ASPECTS OF FICTION
- Block 1 Unit 2 AS WE FIRST READ TOM JONES
- Block 1 Unit 3 IMPORTANT THEMATIC AREAS IN TOM JONES
- Block 1 Unit 4 CHARACTERS AS CHARACTERISATIONS
- Block 1 Unit 5 ARTISTIC UNITY OR SOCIO-CULTURAL CONCERNS
- Block 1 Unit 6 FEMINIST CONCERNS IN FIELDING
- Block 1 Unit 7 SOME CRITICAL OPINIONS ON TOM JONES
- Block 1 Unit 8 NARRATION IN FICTION AND THIRD WORLD PREFERENCES
- Block 2 Unit 1 THE NOVEL IN ITS CONTEXT
- Block 2 Unit 2 MAIN THEMES IN PRIDE AND PREJUDICE - 1
- Block 2 Unit 3 MAIN THEMES IN PRIDE AND PREJUDICE - 2
- Block 2 Unit 4 CHARACTERS IN THE NOVEL
- Block 2 Unit 5 THE NARATIVE OF PRIDE AND PREJUDICE
- Block 2 Unit 6 CRITICAL PERSPECTIVES
- Block 4 Unit 1 BACKGROUND
- Block 4 Unit 2 GREAT EXPECTATIONS AND SELF-IMPROVEMENT
- Block 4 Unit 3 IMPROVEMENT OR DISINTEGRATION
- Block 4 Unit 4 GREAT EXPECTATIONS AND THE FAIRYTALE
- Block 4 Unit 5 CRIME AND RESPECTABILITY
- Block 5 Unit 1 APPROACHING THE NOVEL
- Block 5 Unit 2 THEMES, CHARACTERS, TECHNIQUE
- Block 5 Unit 3 PHILOSOPHICAL UNDERPINNINGS
- Block 5 Unit 4 ELIOT’S PERSPECTIVES
- Block 5 Unit 5 THE FINALE
- Block 6 Unit 1 HIS STORY AND HISTORY
- Block 6 Unit 2 LITERARY ANALYSIS - 1
- Block 6 Unit 3 LITERARY ANALYSIS - 2
- Block 6 Unit 4 RACE, EMPIRE GENDER IN HEART OF DARKNESS
- Block 6 Unit 5 THE LENGTHENING SHADOW
- Block 7 Unit 1 CONTEXTS
- Block 7 Unit 2 GENRE, OVERALL STRUCTURE AND POINT OF VIEW
- Block 7 Unit 3 STEPHEN’S GROWTH AND PERSONALITY
- Block 7 Unit 4 TECHNIQUE
- Block 7 Unit 5 CRITICAL PERSPECTIVES A BRIEF SELECTIVE OVERVIEW
- Block 8 Unit 1 A PASSAGE TO INDIA
- Block 8 Unit 2 REPRESENTATION OF INDIA (A) APPROACHES TO THE NOVEL
- Block 9 Unit 1 THE ENGLISH NOVEL MODERNISM AND AFTER
- Block 9 Unit 2 MURIEL SPARK – HER LIFE, HER WORK AND THE TEXT
- Block 9 Unit 3 ANALYSING THE TEXT - 1
- Block 9 Unit 4 ANALYSING THE TEXT - 2
- Block 9 Unit 5 THE NOVEL 1960 AND AFTER
