Course: British Novel
1. Block 1 Unit 1 SOME ASPECTS OF FICTION
1. Block 1 Unit 2 AS WE FIRST READ TOM JONES
1. Block 1 Unit 3 IMPORTANT THEMATIC AREAS IN TOM JONES
1. Block 1 Unit 4 CHARACTERS AS CHARACTERISATIONS
1. Block 1 Unit 5 ARTISTIC UNITY OR SOCIO-CULTURAL CONCERNS
1. Block 1 Unit 6 FEMINIST CONCERNS IN FIELDING
1. Block 1 Unit 7 SOME CRITICAL OPINIONS ON TOM JONES
1. Block 1 Unit 8 NARRATION IN FICTION AND THIRD WORLD PREFERENCES
1. Block 2 Unit 1 THE NOVEL IN ITS CONTEXT
1. Block 2 Unit 2 MAIN THEMES IN PRIDE AND PREJUDICE - 1
1. Block 2 Unit 3 MAIN THEMES IN PRIDE AND PREJUDICE - 2
1. Block 2 Unit 4 CHARACTERS IN THE NOVEL
1. Block 2 Unit 5 THE NARATIVE OF PRIDE AND PREJUDICE
1. Block 2 Unit 6 CRITICAL PERSPECTIVES
1. Block 4 Unit 1 BACKGROUND
1. Block 4 Unit 2 GREAT EXPECTATIONS AND SELF-IMPROVEMENT
1. Block 4 Unit 3 IMPROVEMENT OR DISINTEGRATION
1. Block 4 Unit 4 GREAT EXPECTATIONS AND THE FAIRYTAL
1. Block 4 Unit 5 CRIME AND RESPECTABILITY
1. Block 5 Unit 1 APPROACHING THE NOVEL
1. Block 5 Unit 2 THEMES, CHARACTERS, TECHNIQUE
1. Block 5 Unit 3 PHILOSOPHICAL UNDERPINNINGS
1. Block 5 Unit 4 ELIOT’S PERSPECTIVES
1. Block 5 Unit 5 THE FINALE
1. Block 6 Unit 1 HIS STORY AND HISTORY
1. Block 6 Unit 2 LITERARY ANALYSIS - 1
1. Block 6 Unit 3 LITERARY ANALYSIS - 2
1. Block 6 Unit 4 RACE, EMPIRE GENDER IN HEART OF DARKNESS
1. Block 6 Unit 5 THE LENGTHENING SHADOW
1. Block 7 Unit 1 CONTEXTS
1. Block 7 Unit 2 GENRE, OVERALL STRUCTURE AND POINT OF VIEW
1. Block 7 Unit 3 STEPHEN’S GROWTH AND PERSONALITY
1. Block 7 Unit 4 TECHNIQUE
1. Block 7 Unit 5 CRITICAL PERSPECTIVES A BRIEF SELECTIVE OVERVIEW
1. Block 8 Unit 1 A PASSAGE TO INDIA
1. Block 8 Unit 2 REPRESENTATION OF INDIA (A) APPROACHES TO THE NOVEL
1. Block 9 Unit 1 THE ENGLISH NOVEL MODERNISM AND AFTER
1. Block 9 Unit 2 MURIEL SPARK – HER LIFE, HER WORK AND THE TEXT
1. Block 9 Unit 3 ANALYSING THE TEXT - 1
1. Block 9 Unit 4 ANALYSING THE TEXT - 2
1. Block 9 Unit 5 THE NOVEL 1960 AND AFTER
Coordinators
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