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Course: British Drama
Overview
Classroom
Material
Exam
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Attachment
Block 7 Unit 4 CRITICAL APPROACHES TO THE PLAY PART 2.pdf
Block 1 Unit 1 CHIRSTOPHER MARLOWE AND THE ELIZABETHAN DRAMA
Block 1 Unit 1 CHIRSTOPHER MARLOWE AND THE ELIZABETHAN DRAMA
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1) Block 1 Unit 1 CHIRSTOPHER MARLOWE AND THE ELIZABETHAN DRAMA
Block 1 Unit 3 IRONY AND THE TRAGIC DILEMMA IN DOCTOR FAUSTUS
Block 1 Unit 3 IRONY AND THE TRAGIC DILEMMA IN DOCTOR FAUSTUS
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1) Block 1 Unit 3 IRONY AND THE TRAGIC DILEMMA IN DOCTOR FAUSTU
Block 1 Unit 5 DRAMATIC POETRY IN DOCTOR FAUSTUS
Block 1 Unit 5 DRAMATIC POETRY IN DOCTOR FAUSTUS
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1) Block 1 Unit 5 DRAMATIC POETRY IN DOCTOR FAUSTUS
Block 2 Unit 1 BACKGROUND PERFORMANCE
Block 2 Unit 1 BACKGROUND PERFORMANCE
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1) Block 2 Unit 1 BACKGROUND PERFORMANCE
Block 2 Unit 2 ROMANTIC COMEDY AND THE LANGUAGE OF THE PLAY
Block 2 Unit 2 ROMANTIC COMEDY AND THE LANGUAGE OF THE PLAY
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1) Block 2 Unit 2 ROMANTIC COMEDY AND THE LANGUAGE OF THE PLAY
Block 2 Unit 3 A MIDSUMMER NIGHT DREAM 1
Block 2 Unit 3 A MIDSUMMER NIGHT DREAM 1
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1) Block 2 Unit 3 A MIDSUMMER NIGHT DREAM 1
Block 2 Unit 4 A MIDSUMMER NIGHT DREAM 2
Block 2 Unit 4 A MIDSUMMER NIGHT DREAM 2
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1) Block 2 Unit 4 A MIDSUMMER NIGHT DREAM 2
Block 2 Unit 5 THE MECHANICALS
Block 2 Unit 5 THE MECHANICALS
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1) Block 2 Unit 5 THE MECHANICAL
Block 3 Unit 1 BACKGROUND
Block 3 Unit 1 BACKGROUND
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1) Block 3 Unit 1 BACKGROUND
Block 3 Unit 2 INTERPRETATION
Block 3 Unit 2 INTERPRETATION
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Block 3 Unit 3 LANGUAGE OF LITERATURE
Block 3 Unit 3 LANGUAGE OF LITERATURE
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Block 3 Unit 4 HAMLATE OTHER DIMENSIONS
Block 3 Unit 4 HAMLET OTHER DIMENSIONS
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1) Block 3 Unit 4 HAMLET OTHER DIMENSIONS
Block 3 Unit 5 THE WORLD AS STAGE WINDER PERSPECTIVE
Block 3 Unit 5 THE WORLD AS STAGE WINDER PERSPECTIVE
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1) Block 3 Unit 5 THE WORLD AS STAGE WINDER PERSPECTIVE
Block 3 Unit 6 CURRENT CRITICAL APPROACHES TO HAMLET
Block 3 Unit 6 CURRENT CRITICAL APPROACHES TO HAMLET
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Block 4 Unit 1 THE DRAMATIC CAREER OF BEN JONSON
Block 4 Unit 1 THE DRAMATIC CAREER OF BEN JONSON
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1) Block 4 Unit 1 THE DRAMATIC CAREER OF BEN JONSON
Block 4 Unit 2 JONSONIAN COMEDY AND THE ALCHEMIST
Block 4 Unit 2 JONSONIAN COMEDY AND THE ALCHEMIST
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1) Block 4 Unit 2 JONSONIAN COMEDY AND THE ALCHEMIST
Block 4 Unit 3 THE STRUCTURE OF THE ALCHEMIST
Block 4 Unit 3 THE STRUCTURE OF THE ALCHEMIST
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Block 4 Unit 4 THE ALCHEMIST IN THE THEATRE
Block 4 Unit 4 THE ALCHEMIST IN THE THEATRE
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1) Block 4 Unit 4 THE ALCHEMIST IN THE THEATRE
Block 4 Unit 5 CHARACTERIZATION AND LANGUAGE
Block 4 Unit 5 CHARACTERIZATION AND LANGUAGE
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Block 5 Unit 1 BACKGROUND TO THE PLAYBOY
Block 5 Unit 1 BACKGROUND TO THE PLAYBOY
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Block 5 Unit 2 CRITICAL ANNOTATIONS TO THE PLAYBOY
Block 5 Unit 2 CRITICAL ANNOTATIONS TO THE PLAYBOY
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Block 5 Unit 3 CLOSE ANALYSIS OF THE PLAYBOY
Block 5 Unit 3 CLOSE ANALYSIS OF THE PLAYBOY
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1) Block 5 Unit 3 CLOSE ANALYSIS OF THE PLAYBOY
Block 5 Unit 4 THE PLAYBOY A DISCUSSION
Block 5 Unit 4 THE PLAYBOY A DISCUSSION
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1) Block 5 Unit 4 THE PLAYBOY A DISCUSSION
Block 5 Unit 5 THE PLAYBOY A DISCUSSION (CONTD.)
Block 5 Unit 5 THE PLAYBOY A DISCUSSION (CONTD.)
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Block 6 Unit 1 BACKGROUND OF ENGLISH DRAMA FROM THE RESTORATION PERIOD TO BERNARD SHAW
Block 6 Unit 1 BACKGROUND OF ENGLISH DRAMA FROM THE RESTORATION PERIOD TO BERNARD SHAW
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1) Block 6 Unit 1 BACKGROUND OF ENGLISH DRAMA FROM THE RESTORATION PERIOD TO BERNARD SHAW
Block 6 Unit 2 PYGMALION THEMES AND ISSUES
Block 6 Unit 2 PYGMALION THEMES AND ISSUES
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1) Block 6 Unit 2 PYGMALION THEMES AND ISSUES
Block 6 Unit 3 DRAMATIC STRUCTURE AND MINGLING OF GENRES
Block 6 Unit 3 DRAMATIC STRUCTURE AND MINGLING OF GENRES
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1) Block 6 Unit 3 DRAMATIC STRUCTURE AND MINGLING OF GENRES
Block 6 Unit 4 LANGUAGE AND STYLE
Block 6 Unit 4 LANGUAGE AND STYLE
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1) Block 6 Unit 4 LANGUAGE AND STYLE
Block 7 Unit 1 T. S. ELIOT’S ESSAYS AND OTHER WORKS RELATED TO THE PLAY
Block 7 Unit 1 T. S. ELIOT’S ESSAYS AND OTHER WORKS RELATED TO THE PLAY
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1) Block 7 Unit 1 T. S. ELIOT’S ESSAYS AND OTHER WORKS RELATED TO THE PLAY
Block 7 Unit 2 BACKGROUND, PRODUCTION AND PERFORMANCE HISTORY
Block 7 Unit 2 BACKGROUND, PRODUCTION AND PERFORMANCE HISTORY
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1) Block 7 Unit 2 BACKGROUND, PRODUCTION AND PERFORMANCE HISTOR
Block 7 Unit 3 CRITICAL APPROACHES TO THE PLAY PART 1
Block 7 Unit 3 CRITICAL APPROACHES TO THE PLAY PART 1
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1) Block 7 Unit 3 CRITICAL APPROACHES TO THE PLAY PART 1
Block 7 Unit 4 CRITICAL APPROACHES TO THE PLAY PART 2
Block 7 Unit 4 CRITICAL APPROACHES TO THE PLAY PART
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1) Block 7 Unit 4 CRITICAL APPROACHES TO THE PLAY PART
Block 7 Unit 5 GENERAL COMMENTS AND OTHER READINGS
Block 7 Unit 5 GENERAL COMMENTS AND OTHER READINGS
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Block 8 Unit 1 APPROCHING THE NOVEL
Block 8 Unit 1 APPROCHING THE NOVEL
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Block 8 Unit 2 THE CHARACTERS
Block 8 Unit 2 THE CHARACTERS
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1) Block 8 Unit 2 THE CHARACTERS
Block 8 Unit 3 LANGUAGE AND SPEECH IN LOOK BACK IN ANGER
Block 8 Unit 3 LANGUAGE AND SPEECH IN LOOK BACK IN ANGER
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Block 8 Unit 4 CRITICAL APPROACHES TO LOOK BACK IN ANGER
Block 8 Unit 4 CRITICAL APPROACHES TO LOOK BACK IN ANGER
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1) Block 8 Unit 4 CRITICAL APPROACHES TO LOOK BACK IN ANGER
Block 8 Unit 5 ANGER AND AFTER THE PLAY ‘S SUBSEQUENT IMPORTANCE
Block 8 Unit 5 ANGER AND AFTER THE PLAY ‘S SUBSEQUENT IMPORTANCE
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1) Block 8 Unit 5 ANGER AND AFTER THE PLAY ‘S SUBSEQUENT IMPORTANCE
Block 9 Unit 1 WAITING FOR GODOT AN AVANT GARDE PLAY
Block 9 Unit 1 WAITING FOR GODOT AN AVANT GARDE PLAY
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1) Block 9 Unit 1 WAITING FOR GODOT AN AVANT GARDE PLAY
Block 9 Unit 2 GODOT A CRITICAL ANALYSIS 1
Block 9 Unit 2 GODOT A CRITICAL ANALYSIS 1
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1) Block 9 Unit 2 GODOT A CRITICAL ANALYSIS 1
Block 9 Unit 3 CRITICAL ANALYSIS 2
Block 9 Unit 3 CRITICAL ANALYSIS 2
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Block 9 Unit 4 THEMES AND ISSUES 1
Block 9 Unit 4 THEMES AND ISSUES 1
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1) Block 9 Unit 4 THEMES AND ISSUES 1
block 9 Unit 5 THEMES AND ISSUES 2
block 9 Unit 5 THEMES AND ISSUES 2
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1) block 9 Unit 5 THEMES AND ISSUES 2
31.1.1 Block 7 Unit 3 CRITICAL APPROACHES TO THE PLAY PART 1
32.1.1 Block 7 Unit 4 CRITICAL APPROACHES TO THE PLAY PART
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